Rationalist Society
Ontario-Brampton and Indo Canadian Workers Association-Brampton jointly put up
a mesmerising show in Brampton on Sep 14,2014. Chinguacousy Secondary School’s
auditorium witnessed this historic event on the part of South Asian Community
where people participated with full enthusiasm with national fervor and felt
pride to be associated of their forefather’s revolutionary past by paying rich
tribute in a jam packed hall of 700 seats.
The event started with
a brief Speeches delivered by Joginder Singh Grewal and Dr Baljinder Singh
Sekhon, Amrit Singh Dhillon followed by
a historic play ‘SUTEY SUTEY PANIAN CH
AA GIA UBAL’ (Silent water set on fire) written and directed by Harkesh
Chaudhry of Lok Kala Mach-Mullanpura Punjab India who endured enormous pain for
the preparation of drama within eleven days. Mr Harkesh was here in Toronto on
a short visit from India.


Addressing the audience, Dr Baljinder
Sekhon castigated the Harper regime whose immigration policies are going back
to the 1914 era when Canada pursued racist policies to maintain Canada a white
country. He said, the latest changes in immigration laws (C-24) will make more
difficult for new immigrants and existing Asians families in Canada to sponsor
their beloved ones. Mr. Joginder Grewal
spoke about the historical importance of Kamagata Maru event which compelled
Canadian Government to bring changes in their immigration policies.
Play set out in the atmosphere of
1900s era giving inch by inch details of then peasant’s miserable conditions
and hardship when farmers were not able to feed their families because of atrocious
high taxation rate. Consequently, the per capita income dwindled from Rs 28 to
18 from 1880 to 1899. India faced about 25 famines in last fifty years of 19th
century which were manufactured by British rule and their wheat stock piling
policies. Under those precarious socio-economic situations of India; Sardar
Gurdit Singh, a businessman from Amritsar hired a ship from a Japanese Company
by paying $11,000 so that 376 persons could sail direct from India to Vancouver
in their pursuit of better livelihood. Filled with dreams on the foreign
shores, these passengers were faced with the harsh Canadian Immigration laws,
implemented by ruthless Immigration Officer W.C.Hopkinson who has also served
Indian Police under British rule. Hopkinson with the help of his informer Bela
Singh and Harnam Singh managed to infiltrate Kamagat Maru passengers and their
Vancouver based supporters i.e. Khalsa Dewaan Society and Gadar Party. His
conspiracy bore fruits and he successfully sent the ship back to India in order
to maintain Canada a White Country, the prime motto of then Canadian government.
Upon the return to Indian shore,
Kamagata Maru passengers were faced yet another blow from British rulers as
they were fired upon when about 20 passengers were killed, several injured and
(barring few) rest of them faced imprisonment. Play ends with raising burning
questions from the audiences, whether it is justified to brand Gurdit Singh
merely a businessman? Whether it is
appropriate to derecognise role to Gadri Leader Sohan Singh Bakhna? Is it easy
to forget the martyrdom of Kartar Singh Sarabha? Is that proper homage to
Bhagat Singh without realising his dream?
It is pertinent to note that all
criminals on the side of Canadian government were killed by Gadarites.
Hopkinson, his informer Harnam Singh and Arjan Singh were killed in Vancouver
on Sep 3 and Sep 5 1914 whereas Hopkinson was shot dead in the court room by
Mewa Singh on October 21, 1914. Bela Singh relocated to India but
revolutionaries did not spare him and killed him in 1935.
The play was a visual retreat with
fantastic cut to cut scenes and able to
convey its message forcefully that audience was not able to move a bit. It narrated
all the historic incidents in an absolute dramatic way. Set was beautifully
designed by Balraj Shokar, imbibed with so many lyrical compositions enacted by
more than ten characters so was the music on its heights. All the songs sang
during the play were taken from the annals of Gadar Lehar publication.
Selected characters of the same
drama team, presented second play “Bhoot” (Ghost) written by Bramptonian author
Kulwinder Khera, reflecting the ideology of rationalist movement against
superstitions and unscientific culture prevailed in south Asian community. It’s
a tale of a young girl who is fighting with her oneself in pursuit for her
love. Her inner conflict is narrated in a way that her parents start believing
that their house is under some demonic attack. They try to bring in Baba and
Gyani ji etc who are just interested in making money. The friend of the girl’s
father intervene and find out the inner conflict of young woman and expose the
cultural backwardness of his friend, at last he manage to convince the parents
not to be a victim of society but to play a leading role to change it.
The artists who played roles in two
plays and one chorographic event were Samar, Amninder, Antarpreet Kaur,Navnoor,
Ram Singh, Vikramjit,Amarjeet Kaur, Karamjeet, Sharanjeet Singh Raju, Sumeet,
Anita and Bupendra Singh. Lightings were managed by Kulwinder Khera, Surjeet
Malli, Music was conducted by Navnoor who also took responsibility of
Production.
The best attraction of the event
was a magic show, performed by Scott Dietrich. His interactive magical tricks
were widely enjoyed by kids and wholeheartedly appreciated by youngsters and
elders too. Programme lasted about five hours.
The unique programme came out with
a thunderous success despite all odd and ruckus created by some dissident
elements and some ex-member of Rationalist society. Some scrupulous elements
were active thru media and fundamentalist religious organisation who once
threatened to protest against this programme on some unfounded rumors of
so-called blasphemy. Undoubtedly, the success and high turn out on the venue is
the real testimony of a complete rejection of anti-social elements and a
victory to democratic aspirations of the masses.




















